Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay to the unrest? Katniss. And what's worse, President Snow has caused it to be clear that nobody else is safe either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one from the most brought up books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended as a trilogy. Did it genuinely end just how you planned it in the beginning?

A: Very much so. While I didn't know every detail, of course, the arc in the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.

Q: We understand you worked for the initial screenplay to get a film to be based on The Hunger Games. What is the biggest distinction between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. If you are adapting a novel in to a two-hour movie you simply can't take everything with you. The story has to get condensed to suit the new form. Then there's the question of how best to take a magazine told in the first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you won't ever leave Katniss to get a second and therefore are privy to any any of her thoughts so you'll need a method to dramatize her inner world and to generate it feasible for other characters to exist outside her company. Finally, there's the challenge of the easiest way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A great deal of the situation is acceptable on the page that couldn't survive on the screen. But wait, how certain moments are depicted could eventually be inside the director's hands.

Q: Are you currently capable of consider future projects while working on The Hunger Games, or are you immersed within the world you might be currently creating so fully that it is simply too difficult to take into consideration new ideas?

A: We have several seeds of ideas floating around in my head but--given that much of my focus remains on The Hunger Games--it will probably be awhile before one fully emerges and that i can begin to develop it.

Q: The Hunger Games is an annual televised event where one boy then one girl from each in the twelve districts is made to participate in the fight-to-the-death on live TV. Exactly what do you believe the appeal of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are often unknown, which means they are relatable. Sometimes they've very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I've found very disturbing. There's also the possibility for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, this doesn't happen contain the impact it should.

Q: In case you were forced to compete in the Hunger Games, so what can you imagine your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope can be to acquire hold of an rapier if there is one available. But the truth is I'd probably get about a four in Training.

Q: What do you hope readers should come away with when they read The Hunger Games trilogy?

A: Questions about how precisely elements in the books could possibly be relevant of their own lives. And, when they are disturbing, what you might do about them.

Q: What were some of the favorite novels when you had been a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but now it really is for world control. While it is really a clever twist on the original plot, it means that there's less focus on the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by displaying despair both at those she feels responsible for killing and and also at her own motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels and the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to an unsure come back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each one of the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.








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